Sarah Oppenheimer

Sarah Oppenheimer opens apertures in existing architectures, modifying the modular units that make up our standardized urban world. These apertures demarcate new lines of sight within the space of display, and can function as both “holes” and “screens.” This effect forces the viewer’s gaze to toggle between object and void. The space of display is transformed from a container for specific objects into a vectored but non-linear series of filmic views.