jueves, 30 de junio de 2011

Non Space by Emily Grundon





Animal Agency branding by Borja Bonaque.







Animal Agency is Albert Hanks, Clara Olavarría and Paul Rosenberg. Collectively a branding and advertising studio based in New York.The idea behind the design was to adapt the multicultural origin of the members represented by animals from their countries.

The Invisibles Light by Tokujin Yoshioka




In 2010 Tokujin Yoshioka introduced The Invisibles, a collection of invisible furniture for Kartell that employed their pioneering polycarbonate technology to produce a thickness never before seen or manufactured.
This year Yoshioka introduced at the Milan Design Week 2011 a Light version of The Invisibles with a similar profile but made with a thinner acrylic. The collection includes variously sized tables and simple, linear armchairs.
On the original Invisibles, Yoshioka say:
They were an exceptionally experimental pieces made out of the transparent blocks of acrylic. The poetic, yet dynamical presences reveal the essence of the pieces, and leave a mysterious scenery.

martes, 28 de junio de 2011

Backstage at Dior Homme S/S ‘12

Magnus Thierfelder

RESISTANCE

As Strong As Its Weakness

Group Show

Solo Show

A Tension


Magnus Thierfelder works with installations, simple forms and frequently with industrially produced materials like drain pipes or electric cables, materials that relate to the surrounding space, redefine it and create different spatial sensations. In style and content Thierfelder uses in his drawings a reductionist method. The objects and motifs are simplified in an ingenious manner making one believe that one can still recognize the context.

un FILS MAL GARDÉ by Julian Kerkhoff








Sarah Oppenheimer











Sarah Oppenheimer opens apertures in existing architectures, modifying the modular units that make up our standardized urban world. These apertures demarcate new lines of sight within the space of display, and can function as both “holes” and “screens.” This effect forces the viewer’s gaze to toggle between object and void. The space of display is transformed from a container for specific objects into a vectored but non-linear series of filmic views.